Fountain Fullness and Good Stewardship

Fountain Fullness and Good Stewardship

éFirst published in The Catholic Times  July 16, 2017 issue

Close up of fountain at the Vatican

PHOTO: Mary van Balen

And since the nature of goodness is to diffuse itself…the Father is the fountain-fullness of goodness.        Ilia Delio

Yet access to safe drinkable water is a basic and universal human right, since it is essential to human survival and, as such, is a condition for the exercise of other human rights.      Pope Francis

Standing Rock is everywhere.   Chief Arvol Looking Horse

 

Water has been on my mind. As Ilia Delio, O.S.F. writes in Simply Bonaventure: An Introduction to His Life, Thought, and Writing, the 13th century saint whose feast we celebrate on July 15 referred to the first principle of the Godhead as the fountain-fullness of goodness. (Bonaventure referred to this self-diffusive Goodness as “Father,” not in a biological manner, but in the sense that God is generative, Delio explains.)

I first heard this phrase over fifteen years ago while attending a lecture by Delio. When she made time for questions, I was unable to formulate any but sat in silence allowing some of the imagery and expansive thought she presented to find a place within me. The image of God as infinite fountain-fullness, pouring out Divine self, has always remained.

Niagra Falls

PHOTO: Mary van Balen

I’ve thought of it while standing at Niagara Falls, getting soaked in a rainstorm, or while drinking a refreshing glass of water: God, ever-flowing outward, creating and sustaining all.

In his encyclical, Laudato Si’, from the conviction that “…everything in the world is connected…” Pope Francis reminds us that fresh drinking water holds primary importance because “… it is indispensable for human life and for supporting terrestrial and aquatic ecosystems.” As with the effects of other instances of environmental degradation, the lack of clean water and the consequences of that fall most heavily upon the poor.

He addresses the people of the world, calling for a change of lifestyles of consumption and immediate gratification into lifestyles of sacrifice and sharing. Pope Francis quotes Patriarch Bartholomew’s eloquent words saying we all need to repent since in some ways we have all harmed the planet.

That realization deepened for me when I recently viewed a water bill for my apartment. The amount of water used was surprising.

I began to notice that water usually runs while I wash my hands and brush my teeth. Without a dishwasher, I often fill the sink with soapy water, even when only a few plates and glassed need cleaned. As weeks passed, water and my consumption of it became an exercise in mindfulness. A big water drinker, I usually find two or three half-filled glasses on tables or counters at bedtime. No longer dumped down the drain, the extra now waters my plants. In a month’s time, my water use decreased by half.

Who would’ve thought that such small efforts would make a difference? Patriarch Bartholomew realized that we all “generate small ecological damage.” Some is unavoidable; some is not.

Water came to mind again this week when a longtime friend sent a copy of an article published in the June 26 issue of America Magazine. “The Spirituality of Standing Rock: Activists see a moral imperative for protecting our water” by Eileen Markey begins with the historic gathering of Native Americans and their supporters from around the globe at the Standing Rock Sioux Reservation in North Dakota to prayerfully protest the building of the Dakota Access Pipeline under their water supply.

“Water is life,” the women said. While oil now flows beneath their land, the stand to protect the environment, particularly the water, continues as groups and individuals across the country carry on the protests, calling for action from governments, corporations, groups, and individuals. The setback at Standing Rock was not the end of the issue.

“Standing Rock is everywhere,” Lakota chief Arvol Looking Horse said in the article. Indeed, it is.

Summer, with its long spells of hot, dry days interspersed with sudden storms or a day or two of soft showers, is a good time to reflect on water and how we use it. To change wasteful habits. To stand with Pope Francis in his call to work together to move into lifestyles that reflect reverence for the earth and recognition of the importance of good stewardship, especially as it affects the poor. And it is a good time to join our voices with that of Saint Francis, in thanksgiving and in praise of the Creator, the Fountain-Fullenss, the source of all that is.

© 2017 Mary van Balen

Connecting through the Columbus Crossing Borders Project

Connecting through the Columbus Crossing Borders Project

Project Director of the Columbus Crossing Borders Project speaking to audience

PHOTO: Mary van Balen

People gathered at the Martin de Porres Center last Sunday to see the traveling art exhibit, Columbus Crossing Borders Project, and to hear Project Director/Producer, Laurie Van Balen, share its vision and mission.

She spoke of the refugee crises around the world and in our country and the need to welcome the “other” into our spaces: our country, cities, neighborhoods, and home.

Before and after her presentation, people viewed the exhibit of 34 paintings by Ohio artists whose work draws the viewer into some aspect of the reality of the refugees’ journeys, hardships, and successes.

a mother and daughter viewing an art exhibit

PHOTO: Mary van Balen

People took their time, reading the artists statements that were posted below the paintings. Pointing out how some element of each painting crossed over into the space of the painting to its right—crossing borders and creating a powerful visual testimony to the love, strength, and resilience that sustain those who must flee their countries and build a new home in a strange land.

“I had to move away from the group of people looking at the painting with me,” one woman confided. Her eyes were filled with tears. “I was afraid they’d ask me something, and, well, I just couldn’t speak. It’s overwhelming.” She paused for a moment and then said, “How could anyone think these wonderful people have nothing to offer to us, to our country? How many gifts they bring!”

Conversations like this or the longer ones among artists, refugees, immigrants, and others gathered around the tables or standing in clusters in the room, are one of the most important result of this amazing exhibit. It opens hearts. It opens doors. People share and get to know one another. Like the title of this project suggest, they cross their own borders and leave enriched and changed in some way. Come, and experience it for yourself.

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky.

The Columbus Crossing Borders Project is currently being exhibited at:  the Martin de Porres Center, 2330 Airport Drive, Columbus, Ohio through June 30.

Next exhibit: Schumacher Gallery at Capital Univeristy, 2199 E Main St, Columbus OH from August 28 – September 2 with a reception on August 31.

For more information visit the Columbus Crossing Borders Project website

Yesterday is history. Tomorrow is mystery. Today is…

Yesterday is history. Tomorrow is mystery. Today is…

Photo of a flooded alley

PHOTO: Mary van Balen

Hank is one of my favorite people. I don’t know him well, but I’m getting there. At the end of most work days I stop and talk with him on my way out. We talk about politics and religion despite conventional wisdom that warns against it. He shares memories of growing up in this city, keeps me updated on jazz events around town. I’ve lent him books and articles, and he drops nuggets of wisdom he’s learned along the way.

The other day we were talking about a recent column I’d written, “Rain, an Icon of Grace,” that shared my experience of God’s Grace always pouring over us, refreshing and renewing us, like rain nourishes the earth.

Chair in rain on patio

PHOTO: Mary van Balen

“It made me think of growing up,” he said. “I’ve always loved the rain and storms. Listening to it on the roof or hitting the windows. When I was little, I used to sit on the porch during heavy rains and watch the water pour down from the overflowing gutters along the overhang above my head. I was mesmerized. You know how it is when you are so young. Everything looks big and amazing. The rain looked like a waterfall. I could sit there for hours.”

From there our conversation turned to Grace and the importance of being present to it, like Hank was present to the beauty of the rain gushing down during the storm all those years ago.

“You know that saying,” Hank continued. “Yesterday is History. Tomorrow is Mystery. Today is Blessing.”

Hollyhock blossom in rain

PHOTO: Mary van Balen

I didn’t know that saying. But since he shared it with me, it has become a constant prayer. A reminder of God’s Grace present in the moment and the futility of fretting over what cannot be changed or worrying about things that may or may not happen. I’m prone to do both. Thanks to Hank, the past and the future are less successful at pulling me away from the present. His short saying became a mantra. “Yesterday is history,” I say to regret. “Tomorrow is mystery,” I throw back at worry. “Today is blessing.” I take a deep breath and remember this is so. And remember a little boy soaking it up on his porch.

Rain—An Icon of Grace

Rain—An Icon of Grace

A photo of rain falling on a stone wall

PHOTO: Mary van Balen

Originally published in The Catholic Times, May 14, 2017

Rain pelted the windows as I fell asleep one Friday night this spring. Thunder rumbled in the distance, occasionally exploding through the thick sky, rattling the window beside my bed. I’ve always loved thunder storms, especially at night when I have nothing else to do but listen and watch for lightning flashes that brighten the darkness for a moment or two.

When I awoke late the following morning, rain was still falling, and heavy clouds shuttered the sky making the house dark enough that I lit a candle for prayer time. Rain drops became my centering “word” as I tried to quiet my mind and simply sit with God. That’s never easy. Managing a minute or two out of twenty without thoughts crashing around in my head is a success. I trust the Holy One appreciates the effort.

But that Saturday morning, rain made a difference. After a while it became an icon of Grace, falling steadily on the world, replenishing Life’s Gift that flows through all creation. I sat for a long time, moving in and out of quiet, trying to be present enough that some of that Gift could find a place in me.

The image of Grace raining down on the world stayed with me all day. I remembered times of exhilaration, running out in a downpour, getting soaked, and tilting my head up towards the sky with my mouth open trying to taste the drops. I also remembered making mad dashes from car to door, trying to avoid rain altogether.

Saturday came and went, but as the new week moved along, the image raised questions. How eagerly do I embrace Grace given. Do I stand with arms outstretched and heart open? Do I let it drench me? Do I stop and listen, no matter where I am or what I’m doing? Do I welcome it in and let it flow out? Or am I too busy, too distracted by noise to hear?

If so, the morning rain said not to worry. Grace is always falling.

Photo of a heavy rain falling on waterlilies on lake at St. Johns

PHOTO: Mary van Balen

I remembered a few favorite scripture verses that speak about rain and God’s provident care:

For just as from the heavens/ the rain and snow come down/ And do not return there/ till they have watered the earth, /making it fertile and fruitful, /Given seed to those who sow/ and bread to those who eat, / so shall my word be/ that goes forth from my mouth;/ It shall not return to me void, /but shall do my will, /achieving the end for which I sent it.  Is 55, 10-11

These words bring hope that God’s Spirit, falling into my deepest places, flows through me as I go about my days, helping me do the work, knowingly or not, that I am made to do.

Sing to the Lord with thanksgiving; / with the lyre make music to our God, /Who covers the heavens with clouds, / provides rain for the earth, / makes grass sprout on the mountains… Ps 147, 7-8

 How important to nurture a grateful spirit, to give thanks for the outpouring of Grace that never stops, recognized or not.

Let us know, let us strive to know the Lord; /whose coming is as certain as the dawn, /and whose judgement shines forth like the light of day! /The Lord will come to us like the rain/like spring rain that waters the earth. Hosea 6, 3

 Trusting that God’s coming “is as certain as the dawn” is difficult when the earth of our hearts is parched or when suffering and injustice in the world overwhelms. Concerns of the heart can tempt it to close in upon itself, to keep Grace running down the outside instead of pouring in.

I have a photo of a rainy afternoon outside the apartment I stayed in one summer during a writing workshop in Minnesota. I think I’ll make a print of it and keep close by—an icon of never-ending Grace and Presence.

©2017 Mary van Balen

Breathe Out Gratitude

Breathe Out Gratitude

Up early, I had time for a walk to the Cambridge Tea House before starting my workday at home. I savored every step in the cool morning air, aware that hot summer days are not far off. Usually, when I stop at the tea house, I’m driving to work.  I pick up a currant scone and eat it in the car. Not Friday. I treated myself to a full breakfast instead. And time to enjoy it.

Sun shining on table set with white tablecloth and two red vases holding succulent plants.

Photo: Mary van Balen

“You have your choice; sit anywhere you’d like,” the young waitress said with a smile as she welcomed me into the just opened dining room.  Sun pushing through a partly cloudy sky brightened the white table cloths and red vases topped with tiny succulents. Beautiful. I passed them by, though, choosing instead to sit at a plain, wooden table with lots of extra space since I planned on doing some writing.

Small celebrations feel good inserted into busy routines. Slowing down to join in friendly conversation and to jot down thoughts in my journal help me cope with disturbing news from around the world and in our country, and to remember the good.  Shortly after I placed my order, the owner/chef came out to chat—one of the perks of frequenting small, local eateries. She works long hours in a small kitchen, turning out delicious food six days a week.

Red teapot, tea cozy, teacup, and journal and pen sitting on a wooden table.

Photo: Mary van Balen

Tea arrived in a bright red pot along with a tea cozy to keep it steamy. Even the cup was heated.  I filled it and brought it close to my face, sniffing the aroma of the Queen Catherine blend. I filled a couple pages in my journal. The long table was the perfect size for a gathering of friends. “Invite people over more often,” I wrote, thinking of the table in my apartment.

Breathe in Grace. Breathe out gratitude.

I was already content when the quiche arrived. Too much food to eat there, I finished what I could, poured what was left in the teapot into a paper cup and snapped on a lid,  bagged up the homemade bread, and peeked into the kitchen to say goodbye.

Breakfast of quiche, toast, cup of fruit, and butter and jam.

Photo: Mary van Balen

Ovens were on, freshly baked bread lined a shelf, and pans and utensils covered counter space.

“Thanks, Mary. Have a good day.” She smiled. “Thanks for coming in. Come back soon.”

The two other women working in the kitchen were busy, too, but smiled their goodbyes.

Breakfast. Ordinary. Extraordinary.

Breathe in Grace. Breathe out gratitude. So easy. So easy to forget.

© 2017 Mary van Balen

Columbus Crossing Borders Project

Columbus Crossing Borders Project

the logo for the Columbus Crossing Borders Project shows silhouettes of immigrants, men, women, and children, against a blue clouded sky. The Columbus Crossing Borders Project was begun by Columbus area artist, Laurie Van Balen, in response to the alarming spread of anti-immigrant sentiment that is sweeping the country. Visit the website to learn more about the artists, traveling art exhibit, and documentary film that is the result of 34 artists, refugees willing to share their stories,  a film crew, and many volunteers.

You can watch parts of the video made by Doug Swift,  meet some of the artists, see their work, and hear some of the refugees’ stories. This project aims to inspire compassion and encourage critical thinking when considering the plight of refugees in our country.

Columbus Crossing Borders Project is working with the Community Immigration and Refugee Services (CRIS) in Columbus.

Currently in production, the traveling art exhibit will open on May 21, at the Cultural Arts Center in Columbus. You are welcome to attend the opening reception:

“As we seek to inspire compassion and support for the 65 million people in our world who are fleeing war, terror, persecution and hardship, The Columbus Crossing Borders Project warmly invites you to attend the initial public presentation of our traveling art exhibit and documentary film.

Sunday, May 21  2 – 6pm    Cultural Arts Center  |  139 W Main St, Columbus, Ohio 43215

This event is being presented with support from the​ Greater Columbus Arts Council.”

I hope to see you there!

What Were They Thinking?

What Were They Thinking?

Oil Painting, "The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection" by Eugène Burnand 1898

The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection by Eugène Burnand 1898
Oil on canvass
Musée d’Orsay

Last spring, while walking down a narrow gallery in the Musée d’Orsay, I looked into a larger room and saw a painting of two men running through the countryside on an early morning. Their dress and faces left no doubt—Peter and John were running to see if Mary of Magdala was  right.

Different gospels tell the story in different ways. In John’s gospel, Mary arrived at the tomb alone in the early morning, saw the stone rolled back, and ran to tell Peter and the others that someone had taken the body. Peter and John ran to see for themselves. John, the author tells us, looked inside, saw the burial cloths, and believed. After Peter and John returned home, Mary remained, and saw two angels who asked her why she was weeping. She answered, turned and saw Jesus, thinking he was a gardener. Only when he spoke her name did she recognize him.

Luke’s gospel tells of the women of Galilee who had followed when Jesus was laid in the tomb and who returned the day after the sabbath, carrying spices and oils they had prepared. They entered the empty tomb and were puzzling over it when two men “in dazzling garments” appeared and told them that Jesus had been raised, as he had said he would be. The women ran to tell the others who thought they were talking nonsense. Only Peter returned to the tomb in this telling and went home amazed. Then comes the story of Jesus appearing to travelers on the road to Emmaus.

Mark’s gospel has two endings. In the shorter one, three women, including Mary Magdalene and Mary the mother of James (both mentioned in Luke’s story) carried spices to anoint the body. They found the stone rolled back and the tomb empty. A young man clothed in white told them that Jesus had been raised and instructed them to go tell the others. But the women, were afraid and told no one.

The longer ending includes Jesus’ early morning appearance to Mary Magdalene who then told the others who were “mourning and weeping.” The didn’t believe her. Next, Jesus appeared to two disciples walking along a country road. They also told the others, who didn’t believe them either.

Matthew’s gospel is similar. The two Mary’s went to the tomb. While they were there, the earth shook, and an angel appeared, rolled back the stone and sat on it. The guards “…became like dead men.” The angel spoke to the women, told them not to be afraid, and invited them in to see where Jesus, now raised from the dead, had been laid. This time, the women were both fearful and overjoyed as they hurried to tell the others. They saw Jesus on their way, and he reassured them: “Do not be afraid,” and instructed them to go tell the others. There is no mention of how the women and their message was received.

Interesting. It was women who went to the tomb. It was women to whom Jesus first appeared and instructed to go tell the others. And, in two of the gospels that report reactions, the women were not believed. In Mark’s, neither were the travelers.

Why not? Was it just that those hearing the women’s story had a low estimation of women’s ability to be sensible in times of stress?  Thought they were hysterical, seeing things, or hearing voices? Maybe. Why not believe the disciples who encountered Jesus while they were walking, trying to comprehend the events of the past two days? We’re not told who they were, if they were men, women, or a couple. Simply disciples.

Close up of Eugène Burnand's paintining

Detail of Eugène Burnand’s painting

Looking at the exquisitely painted faces of Peter and John in Burnand’s painting, I try to put myself in their situation. If the one I had come to love, trust, and believe was going to save me and my people from the oppressive Romans, or as unimaginable as it seemed, was God’s own face in the world, if he had been executed by the occupying powers, I would be overwhelmed with emotions: grief, anger, hopelessness, confusion.

And then, Mary comes with a story that’s too good to be true. Words that stir the ashes of despair and let hope flicker again. I don’t want to believe only to be disappointed all over again. I know what’s it’s like to be vulnerable and to be hurt. And to allow myself to become vulnerable and hurt again.

Still, there is hope, and so I run to see for myself.

Gazing at the faces in the painting, I wonder, “What were they thinking? What did they fear? What did they hope?”

And today, as I celebrate Easter, believing what many still consider nonsense, I ask myself the same things: What am I thinking? What do I fear? What do I hope?

©2017 Mary van Balen

We Walk Together

We Walk Together

The oil painting "Supper" by Joseph Hirsch shows twelve homeless men, shabbily dressed, sitting and eating at an lavishly set table.

“Supper” 1963-1964
Oil on canvas
Joseph Hirsch American 1910-1981
Columbus Museum of Art
Photo: Mary van Balen

Originally published in The Catholic Times, April 9, 2017

On Saturday, I had the unexpected pleasure of spending a few hours in the Columbus Museum of Art. My sister and I slowly moved from one gallery to another, savoring the opportunity to see the world and explore ideas through the eyes and souls of the artists. They “wake us up” to realities easily overlooked as we hurry through our day to day lives, or challenge us to see the world, others, and even ourselves from broadened perspectives.

A small white sign on the wall of a hallway between two larger exhibits proclaimed: “The Extra Ordinary.” It referred to displayed works made of old bricks, cardboard, and other common objects.

I took a closer look at the row of oil paintings of a water glass. The artist, Peter Dreher, had painted the same glass at different times of day and night for years. “What can change?” you might ask. Light. Reflected images. You’d be surprised what you discover by simply focusing on the lines and beauty of something that usually doesn’t get a second glance. Our lives are filled with opportunities to wonder at the creativity and grace evident in objects made by human hands or that are part of nature. “When was the last time you took a close look and really saw?” the artist seemed to be asking.

A room or two later, I stood in front of a painting by Joseph Hirsch titled “Supper.” Twelve men sitting around a long table, sharing food that included bread and wine immediately suggested the Last Supper. Images of Leonardo da Vinci’s mural of Jesus’ final meal with his apostles might spring to your mind, but this painting is different.

Instead of a white Jesus surrounded by men in flowing robes, twelve homeless men of various colors, unkempt and dressed in shabby jackets and coats, eat hungrily, drinking wine from goblets and lifting food to their mouths with silver forks.

No brightly colored clothing here. The men are dressed mostly in grays, blacks, and browns. The brightest things are on the table. A silver serving dish and coffee pot rest on a white table cloth beside serving bowls heaped with fruit and salad. Obvious at the front of the table sits a goblet of wine and a broken loaf of bread.

The contrast between the poverty of the men and the opulence before them is striking. It spoke to the truth that wealth in our country and the world is held by an increasingly small percentage of people while so many are without food or shelter or hope of finding it. I read the signage to learn when “Supper” was painted. It was finished in 1964. “…at about the same time that President Lyndon B. Johnson enacted laws and reforms known as the War on Poverty, designed to aid disadvantaged American communities.”

I counted the people again. Twelve. “Why didn’t Hirsch include a figure to represent Jesus?” I wondered. Gazing at the image, I slowly became aware of Jesus’ presence. No need to paint him. The Christ was there, dwelling in each of those men.

Before leaving, I read the rest of the sign. It ended by noting “…the relevance to the present day of Christian values of compassion and charity for the poor.” I would say “justice.”

As we move into liturgical celebrations of the Last Supper, Good Friday, and Easter, reflecting on this painting’s message could inform our prayer. In 2017, as in 1964, we examine our response to the call to follow Jesus through death to new life—to share God’s Love given to us.

Do we see that Love shining through creation? Do we see the risen Christ in our sisters and brothers? Do we recognize God dwelling in every human being regardless of color, ethnicity, gender, religious faith or lack of it?  Do we share what we have with the poor, the homeless, the immigrants and refugees who live in our neighborhoods and cities and around the globe? Do we foster love and acceptance with our speech as well as actions?

Jesus was God’s face in the world, and it is a face of Love and inclusion, leaving no one out—not Samaritans or gentiles, not women or children. There was no “other.”  We walk together in Christ.

©2017 Mary van Balen

The Mug and Me

The Mug and Me

Close up photo of a cracked coffee cup sitting on office desk

PHOTO: Mary van Balen

I fell in love with a coffee mug. Let me explain. It happened on Friday morning at work. I came in as usual, put my lunch in the refrigerator, walked to my desk, lowered my purse into the drawer, and returned to the kitchen to pour a cup of coffee. Then, back to my cubicle.

After signing in and switching IM and phone from offline to “I’m here” mode, I reached for the coffee and took a sip. That’s when I saw them—the dark lines of old cracks. Starting at the pitted rim, they formed a cross whose long vertical disappeared into the coffee.

Immediately, a physical feeling of kinship with the mug overwhelmed me. I’m not in the habit of falling in love with coffee mugs or other inanimate objects, but I couldn’t deny the strong bond I felt with this piece of ceramics. It wasn’t even a particularly attractive piece, just the generic, workplace mug, white with the company logo on one side and a sponsoring company’s logo on the other. Don’t get me wrong. I’m eternally grateful that my place of work provides not only free coffee all day long, but also real mugs to drink it out of; no Styrofoam or paper cups for us.

Still, compared to the collection of mugs that fill my kitchen cupboard, this one was plain. It wasn’t handmade, wood-fired, or a memento from a special place. But, it had my heart.

It was the cracks. The mug and I, we’ve been places and have the scars to prove it. We have imperfections. Weakness in glazes and materials, perhaps there from the beginning, that make us vulnerable. I can’t speak for the mug, but my journey has delivered some significant hits. I’ve taken them, some more gracefully than others, and moved on.

A level of comfort and acceptance connected the mug and me. I had no desire to return to the kitchen and find a newer, unblemished version. It was content to sit on my desk for the day, holding refills and steeping my tea.

Relieved of the desire for perfection, we were two wounded travelers with no need to hide cracks or gray hairs. We were simply taking the day as it came, just as we were.

© 2017 Mary van Balen

A Time for Stories

A Time for Stories

Close up of springerle cookies

PHOTO: Mary van Balen

Originally published in The Catholic Times, February 12, 2017

On my way to work, I stopped at the Cambridge Tea House to buy a currant scone. The crusty outside is just sweet enough and surrounds a tender center filled with currants. No jam needed. I prefer mine just as they come out of the oven, and when I’m early, they’re still warm.

Waiting for the young woman at the counter to ring up the purchase, I noticed small packages of intricately stamped springerele cookies resting on a glass plate. My daughter and I bake a few hundred each Christmas. Ours are anise flavored and decorated with bells and angels, but these were smaller, almond flavored, and covered with flowers and hearts for Valentine’s Day.

“They’re beautiful,” I said as the tea house owner and baker emerged from the kitchen.

“A local woman makes them,” she volunteered. I picked up one of the clear bags for a closer look. “The recipe’s 150 years old.”

I wondered aloud if she used baker’s ammonia or some other leavening.

“What’s baker’s ammonia? the younger woman asked.

So began the story. I told them about baking springereles using an old family recipe from a friend of my mother. “Baker’s ammonia is used in many old recipes. I used to buy it at pharmacies, but it’s more difficult to find now. You can order it online.” I described our technique that evolved from using a traditional wooden board carved with designs that we pressed into the dough to our current biscuit cutter/cookie stamp routine.

“After we cut and stamp the cookies, we spread them over the counter to dry overnight. Baker’s ammonia is heat activated, so they form a crusty top that keeps the stamped impression crisp when it bakes.”

PHOTO: Mary van Balen

PHOTO: Mary van Balen

As the story unwound, the three of us stood still, caught up not only in my story, but in the personal stories it evoked in each of us. Images from deep heart-places, rising to the surface, pulling along sights, sounds, smells, and emotion as they broke into consciousness. In silence, we breathed stories.

We recognized them in each other’s eyes, memories both unique and the same: delight in the preparation and sharing of special foods with loved ones, anguish faced over steaming cups of tea and coffee, or reverence before moments of grace when the veil of ordinariness slipped away revealing the extraordinary that’s always present.

modern painting circle of five people in an embrace

Painting by Richard Duarte Brown

Motionless, we paused, heartened by our connection. There we were, members of one family, God’s beloved community.

We should give thanks for the humble story, for the telling that reminds us of the basic connection of all human beings. It isn’t “them and us” as some would have us believe. “Other” is a fiction. Really, at the core, we are much the same. How to remember this in times of division?

Sharing story is one way, the ancient sacrament as old as humanity. Sometimes the details are unfamiliar: Details of lives lived as a part of the minority or of the privileged majority; details of living in poverty or in wealth; details of raising children or living as a single person; details of enjoying good health or suffering physical or mental illness. The list is endless.

But, if we listen to the stories of people who at first glance are “not like us,” we recognize common threads: Courage. Fear. Love and need for it. Desire to care for our children. To have enough to eat. The search for meaning and self-expression, acceptance and reverence.

PHOTO: Mary van Balen Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

PHOTO: Mary van Balen
Rev. Robert Graetz telling his story of the Montgomery Bus Boycott and current civil rights issues to a class of adult learners in the Even Start Program and their guests

There are many stories we need to hear today from people both within and outside our usual circles: stories of people who think like us and those who don’t. People dealing with uncertainties of jobs and homes. There are stories of refugees, undocumented immigrants, ethnic and racial minorities, indigenous people, LGBT people, those who are abused.

Their stories cry out to be heard. Sometimes stories are told in books like “Hidden Figures” and film like the movie “Lion.” An Oscar nominated documentary on James Baldwin, “I Am Not Your Negro,” was released last week, and from reviews I’ve read, it’s filled with stories that can help us better understand race in our country.

Jesus used the power of story, moving his listeners to open their hearts to the stranger, to follow his example, to love. Story has the power to break barriers, to unite, to give heart, to change history. Or, less lofty, to shine the warm light of common humanity on an ordinary morning trek to work.

©2017 Mary van Balen